David Tomas Martinez's work has been published or is forth coming in Poetry Magazine, Plough Shares, Tin House, Boston Review, Los Angeles Review of Books, Oxford American, Pleiades, Prairie Schooner, Forklift; Ohio, Poetry International, LitHub, Gulf Coast, Drunken Boat, Hypoallergic, Lumina Journal, The Journal, Crab Orchard Review, Academy of American Poet's Poem-A-Day, Poetry Foundation's PoetryNow, Poetry Daily, Verse Daily, Spork Press, Split This Rock, RHINO, Ampersand Review, Caldera Review, Verse Junkies, California Journal of Poetics, Toe Good, and others. DTM has been featured or written about in Poets & Writers, Publishers Weekly, NPR's All Things Considered, NBC Latino, Buzzfeed, Houstonia Magazine, Houston Art & Culture, Houston Chronicle, San Antonio Express News, Bull City Press, Border Voices, and many others. Martinez has an MFA from San Diego State University, is the former reviews and interviews editor for Gulf Coast: A Journal of Literature and Fine Arts, and has been a Breadloaf and CantoMundo Fellow. His debut collection of poetry, Hustle, was released in 2014 by Sarabande Books, which won the New England Book Festival's prize in poetry, the Devil's Kitchen Reading Award, and honorable mention in the Antonio Cisneros Del Moral prize. He is the 2015 winner of the Verlaine Poetry Prize from Inprint. Martinez's forthcoming selection of poetry, Post Traumatic Hood Disorder, will be published in 2018, also by Sarabande Books. He is a Pushcart Prize winner, NEA recipient, lives in Brooklyn, and teaches creative writing at Columbia University.